|


THE WINNERS 2003
PHOTO
JURY
AWARDS
WHAT THEY SAID ABOUT
TIFF
THE NEWSPAPER OF TIFF
Selected
shorts
for
the competition 2003
|
FICTION SELECTED
10.11.03
Tirana International Film Festival
|
|
TITLE |
DIRECTOR |
COUNTRY |
YEAR |
FORMAT |
DUR. |
|
1 |
ASSORTED LETTERS
|
Ágnes Kocsis |
HUNGARY |
2000 |
35mm |
30' 3'' |
|
2 |
AT DAWNING
|
Martin Jones
|
UK |
2002 |
35mm
|
12'
|
|
3 |
BLIND |
Jean-Marc Vervoort |
BELGIUM |
2002 |
35mm |
17'
|
|
4 |
BUSINESS AS USUAL |
Tom Zenker |
GERMANY |
2003 |
35mm |
5' |
|
5 |
CODA |
Kitao Sakurai |
USA |
2002 |
35mm |
11' |
|
6 |
DAY 26
|
Andreas Samland
|
GERMANY |
2002 |
35mm |
18'
|
|
7 |
DOMESTIC |
Suzi Ewing
|
UK |
2002 |
35mm |
12'
|
|
8 |
EXIT |
Benjamin Kempf |
SWITZERLAND |
2002 |
35mm |
10’ |
|
9 |
FRAGILE |
Teresa Mecklin
|
FINLAND |
2003 |
16mm |
23' |
|
10 |
GARDEN SIDE
|
Karine Benhaïm |
FRANCE |
2002 |
VIDEO |
6' 30'' |
|
11 |
GETTING IN |
Jesse
Shamata |
CANADA |
2001 |
BETA |
21'
|
|
12 |
GREEN ROSE
|
JC HUNG |
TAIWAN |
2002 |
35 mm |
12' |
|
13 |
HEARTSTRINGS |
Jean-Pierre Avoine
|
CANADA |
2002 |
35mm |
14' 08'' |
|
14 |
IN SEPARATE BEDS |
Javier Rebollo
|
SPAIN |
2002 |
35mm |
19' |
|
15 |
INA'S BIRTHDAY
|
André Bergelt |
GERMANY |
2001/2 |
35mm |
13' 42''
|
|
16 |
KOSOVA 9/11
|
Burbuqe Berisha
|
KOSOVO |
2003 |
DV CAM
|
13'
|
|
17 |
LINES OF FIRE |
Jorge C. Dorado |
SPAIN |
2002 |
35mm
|
20'
|
|
18 |
MAXIMUM CAPACITY |
James Hyslop
|
CANADA |
2001 |
35mm |
19'
|
|
19 |
MORNING NOISES |
Valter Lucaj |
KOSOVO |
2002 |
DIGITAL |
14' |
|
20 |
NICHOLAS |
Vincent Hazard |
UK/FRANCE |
2001/2 |
35mm |
12' |
|
21 |
OBJECTION III |
Rolando Colla |
SWITZERLAND |
2002 |
35mm |
9' |
|
22 |
RENDEZVOUS |
Aaron Wilson |
AUSTRALIA |
2003 |
35mm |
12' |
|
23 |
REMAINS
OF AIR |
Giovanni Truppa |
ITALY |
2003 |
BETA |
16' |
|
24 |
ROSE'S MOUTH
|
Riccardo Marchesini
|
ITALY |
2000 |
DV CAM
|
29'
|
|
25 |
RUSSIAN LESSONS |
José Antonio Bonet |
SPAIN |
2002 |
35mm |
20' |
|
26 |
ROCKPOOL |
Zandra Palmer
|
NEW ZELAND |
2002 |
35mm |
12'
|
|
27 |
THE BEGGARMAN |
Vasian Lami |
ALBANIA |
2002 |
BETA |
20' |
|
28 |
THE FIRST
TELEVISION |
John O'Donnell |
IRELAND |
2002 |
35mm |
14'
|
|
29 |
THE FIRST TIME
|
Borja Cobeaga |
SPAIN |
2001 |
35mm |
11'
|
|
30 |
THE HOWKER |
Panayiotis
Fafoutis |
GREECE |
2001 |
35mm |
12' |
|
31 |
THE KENNEL
|
Bujar Alimani
|
ALBANIA |
2002 |
35mm |
14' |
|
32 |
THE LAST CAR |
Audrius Stonys |
LITHUANIA |
2002 |
35mm |
28'
|
|
33 |
THE LAST GUNMAN |
Alessandro Dominici |
ITALY |
2002 |
35mm |
10'
|
|
34 |
THE NUMBER |
Marco Besas |
SPAIN |
2001 |
35mm |
12' 30'' |
|
35 |
THE STAIRS |
Frederic Mermoud |
SWITZERLAND |
2003 |
35mm |
22’ |
|
36 |
THE VISITOR
|
Victoria Harwood
|
UK |
2002 |
35mm |
20'
|
|
37 |
TOPEKA
|
Asier Altuna |
SPAIN |
2002 |
35mm |
18'
|
|
38 |
TRICKS |
Ido Haar
|
ISRAEL |
2002 |
BETA |
12' 30''
|
|
39 |
WOUNDED |
Margarida Leitão |
PORTUGAL |
2003 |
35mm
|
16'
|
|
40 |
YOU SHOULD MAKE
MOVIES |
Michel Vereecken |
BELGIUM |
2002 |
35mm |
8' |
|
41 |
YOUR CHICKEN DIED
| |