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Submited DocuTIFF 2017 » SUBMISSIONS DOCUTIFF 2017 TIFF web 350 films 117 shorts 82 mid-length + 152 feature) FilmFreeWay 2061 films 1333 shorts 351 mid-length + 377 feature) Festhome 206 films 111 shorts 35 mid-length + 60 feature) FilmFestivalLife 92 films 51 shorts 17 mid-length + 24 feature) Click4Festivals 110 films 56 shorts 24 mid-length + 30 feature) Movibeta 89 films 51 shorts 17 mid-length + 21 feature) Distributor 80 films 22 shorts 8 mid-length + 49 feature) _____... SPECIAL PROGRAM » SPECIAL PROGRAM 3rd edition DocuTIFF 2017   PANORAMA 1. André Villers, a Lifetime in Images by Marketa Tomanova | 2015 | Czech Republic, France | 62' 2. Born of Stone by Emilio Bellu | 2016 | Italy, Czech Republic | 15' 3. Cab Elvis by Andrew Franks | 2016 | USA | 11' 4. Korida by Siniša Vidović | 2016 | Austria | 87' 5. Offshore by Werner Schweizer | 2016 | Switzerland | 102' 6. Operation Wedding by Anat Zalmanson-Kuznetsov | 2016 | Israel | 62' 7. The Most Important Boy in the Wor... OFFICIAL SELECTION DocuTIFF 2017 » OFFICIAL SELECTION 3rd edition DocuTIFF 2017     FEATURE 1. Next Stop-Utopia by Apostolos Karakasis | 2016 | Greece | 91' 2. Pavlensky – Man and Might by Irene Langemann | 2016 | Germany | 99' 3. Radio Kobani by Reber Dosky | 2016 | Netherlands | 72' 4. Shingal, Where Are You? by Angelos Rallis | 2016 | Greece, Belgium | 103' 5. Stranger in Paradise by Guido Hendrikx | 2016 | Netherlands | 72' 6. Swagger by Olivier Babinet | 2016 | France | 85' 7. Tempestad by Tatiana Huezo | 2016 |... FESTIVAL RULES & REGULATIONS DocuTIFF 2017 » Entries of documentary films are invited to take part in competition in all formats of video and digital. All running times, topics, style and production technologies can be submitted. The director/producer with the submission of his/her application accepts the terms of the Festival and has no objection to the submission process, screening, and election of prizes. The director/producer with the submission of the film affirms that he/she has all the copyrights of audio, video, images and music ... DocuTIFF 2017 » 3rd edition DocuTIFF 2017 TIRANA INTERNATIONAL DOCUMENTARY FILM FESTIVAL DocuTIFF is exited inviting filmmakers to submit their films in the third edition of 2017 festival, which will take place in Tirana, May, 10-17, 2017. DocuTIFF invites all documentaries from established and debut filmmakers alike to apply their feature, mid length and short films in International Competition and In Albanian Competition. DocuTIFF aims to encouraging documentary film production in Albania and to give... Awards Docutiff »   FEATURE JURY composed by Rada Šešic (Croatia), Agostino Ferrente (Italy) and Nikola Vukcevic (Montenegro) awards:   BEST FEATURE FILM Tempestad by Tatiana Huezo | 2016 | Mexico | 105'   The director who takes the audience on a contemplative and cinematically superb, poetic journey of exploring fear, corruption, social injustice and above all - the human strength to deal with and overcome misfortune of someone's destiny.   Regjisori, i cili e çon audiencën në një udhëtim kinematogr...
Tuesday, 22 August 2017
Viktor Gjika - Tribute
Viktor Gjika tribute
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Motion picture director, writer, producer and cinematographer Viktor Gjika was born on June 23rd, 1937, in Korca, Albania.

He pursued his film studies in Moscow then after graduation returned to Albania to co-direct his first short ‘Njeriu Kurre Vdes (Man Never Dies) (1961) along with Dhimiter Anagnosti.  Their first effort was honored with the grand prize at the World Cinematography Student Festival held in Lodz Poland in 1961.

That same year Gjika and Anagnosti both served as cinematographers on Hysen Hakani’s black and white masterpiece ‘Debatik’.  Gjika spent much of the early 1960’s honing his skills as a cameraman not only on fiction films but on documentaries as well. Gjika served as both director and cameraman on the short documentaries ‘Takimet ne Helsinki’ (Encounters in Helsinki) (1962) and ‘Bistrica 63’ (1964) which received the national film prize in 1964.

Gjika returned to his work as a cinematographer in the mid-1960’s capturing black and white images along with Anagnosti as director for ‘Komisari i Drites’ (Commissar of Light) (1966).  In 1968, Viktor Gjika directed and acted as cinematographer for the black and white feature, ‘Horizonte te Hapura’ (Clear Horizons).

Viktor Gjika directed and shot twelve features and documentary shorts from 1970 to 1980.  Two of the fiction features he directed, the color ‘Rruge te Bardha’ (White Roads) (1974) and the black and white ‘Gjeneral Gramafoni’ (General Gramaphone) (1978) are both considered to be classics in Albanian motion picture history.
 
Gjika worked mostly in short and feature documentaries in the 1980’s and was made the director of the Kinostudio ‘New Albania’ a post he held till the fall of communism in 1991. Viktor Gjika was a member of the Advisory Board of the European Film College, and a member of juries at international film festivals in Varna, Istanbul, Annessy, Montpellier and Saint-Etienne.  

His last film, a documentary, ‘Kur ikin Korbat’ (When the Raven Leaves) (2000) capped nearly forty years of Albanian motion picture craft.  Two years before his death in March, 2009, Viktor Gjika was the subject himself of a television documentary about his long career entitled ‘Ne 70 Vitet e Viktor Gjika’ (2007).

 

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